S C E N E (V)  

بغداد 

BAGHDAD, Iraq, 2018ce 

*** 

NADIA ‘ANYA LAYLA’ SHUBAR NOORI AL BEIRUTI 

“THE OLDEST SONG EVER SUNG EVER WAS A LOVE SONG” plays on the satellite radio. I need to find the red-light room in the Green Zone. The place off duty soldiers gets lap dances, drop dollars and get their dicks wet. 

I lie awake in my family apartments in the Green Zone of Baghdad, and I tell you it’s much harder to get out of here than I ever thought. I have jet black hair and a baby face. Shabab¹⁵ like it. I’m a Shi’a bombshell, but I never feel that pretty. I feel mostly empty, living in a repressive culture with repressive heat and violence. I feel wilted. I feel confined. I rarely go anywhere without four armed men with beards. Sebastian the Jew tells me I am “powerful”, but I do not feel very powerful lately. Although they say I have tits for days. My name is Nadia Shubar Noori. Some friends, all me Nadia Night, i.e. Nadia Layla. My father is an Iraqi politician in a moderate Shi’a faction called AMAL. I think he was doing something for Hezbollah¹⁶ in Lebanon, I do not have a profoundly serious opinion about this faction or that faction, and I’m just 19! My boyfriend is a Kurd. And I am Arab, so that has to be kept quiet. Mostly because I am high class, and he is working class. My mother has developed an exiles taste for fine things. We have a chandelier and some fancy carpets. There is always meat in the supper and fruit in the fridge.  I spent most of my life in Beirut, but emotionally I’m coming of age in Erbil where I met my first love who is Kurdish. I had lovers all over Erbil, but now just this one guy. His name is Alacan al-Biban, he’s so, so cool. He’s a Kirkuki. I am not so libertine in Bagdad. I have crazy person dreams. I have bold visions! I am, however, deeply unhappy in Erbil, it is like a guiled bird cage. When my mother moved us to Baghdad it became much worse. Baghdad is of course a much larger, much more sectarian city. You can get your ass kidnapped. There are less eligible bachelors. Sex is the kind of satisfaction that can get your mind off an existential crisis. So, when I became a young woman, I lost track of my happiness and my sleep. I am of course a liberated woman and artistic as well. 

Sebastian Adonaev tried to give me an art lesson, but I didn’t take that many notes. I just liked watching him do his thing. Except when he finally made it to Syria and doing that part of his thing is scary. But prophetically I knew he would probably survive the civil war. 

Sebastian told me that the dreams I had are “prophecies”. He’s quite nice. He is a good mix of a gentleman and a tumultuous revolutionary. We were never ever lovers, but he spoke sometimes about running away with me after the war to Beirut and I agreed it was “a possible”. But the war will never ever end so it’s a very silly notion. He says that in the old country you cannot elope unless you’re half a person’s age, plus seven. I’m 19 though, so he says we have to wait until I’m 26, but he’s not that old. He’s 34. It’s not such a big deal. I am very bored in the Green Zone. Alacan al-Biban wants to fly me back to Erbil, but ever since the hordes of Shi’a Militia men called the Popular Mobilization Forces¹⁷ began surrounding Kirkuk, Alacan al-Biban has been stressed and distracted.  

Probably getting involved in Workers Party activities, but to me he hardly admits such things to me or over social media. Later, I had a cafe talk date with my friend Mina Abdul Rahim.  

Alacan al-Biban is such a fucking sweetheart. He’s an artist and a radical and I like him a lot. Sebastian and Alacan al-Biban are close friends I realized after the fact. As my flirtatious older male Kafr¹⁸ friend, Sebastian writes me every other day from Syria. He’s my sweet infidel always being optimistic to me on the WhatsApp. We had a jazz date and a drawing date and then I never saw him again. But, he is a writer, so he writes a lot. Our brief window to do something inappropriate, well it was missed. I let him sext me from the front and don’t tell Alacan al-Biban of course. I don’t sext back, I just don’t stop him. But I agree that for posterity I ought to share the Shi’a visions I’m having. These flashes of Ali and such. Not to freak anyone out, but I might just be the real deal. I might just be triggered into revelation amid this shit show of war. Though you tell the wrong person that stuff, you can get out right stoned to death or lit on fire. Or thrown off a roof. Or get stoned to death, or get their hands cut off. 

You see, on side of the Middle east is art, math, reason, love and science. On the other, unseen hateful gods and howling hordes of death, with black banners, or red, white and blue ones. On one side is hope, constructive collaboration, pride, and honor. On the other bullets whizzing, bombs dropping; bodies piling up. One person sees Djinn, another G-d, and yet another knows its nanobots. 

*** 

Everyone is familiar with the Iranian Israeli shadow war over Iranian nuclear acquisition. Less publicized is the Iranian Israeli shadow war over nano-bot technology. The itty-bitty war inside. 

It started innocently enough, with Mina Adul Rahim experimenting in her lab, fine-tuning the algorithms that governed the behavior of her nanobots. She marveled at their ability to navigate intricate mazes, dismantle complex structures, and even repair damaged tissues within living organisms. But as her mastery over the technology grew, so too did her ambition. 

With a few lines of code, Mina found herself able to exert control over swarms of nanobots, directing their movements with precision. She could command them to assemble into intricate patterns, mimic the behavior of biological organisms, or disperse like a cloud of dust. It was a heady sensation, knowing that she held such power in the palm of her hand. 

But power, as Mina soon discovered, was a double-edged sword. As she pushed the boundaries of what her nanobots could do, she began to realize the potential dangers they posed. In the wrong hands, they could be used to wreak havoc on a global scale—unleashing plagues, destabilizing economies, or even manipulating minds. 

Haunted by the ethical implications of her work, Mina wrestled with her conscience. Should she continue down this path, knowing the potential consequences? Or should she destroy her research, before it falls into the wrong hands? Such as the warlike Israelites. 

In the end, Mina made a choice that would shape the course of history. She resolved to use her knowledge for the greater good, to ensure that her nanobots would be a force for healing rather than harm. But even as she vowed to control her creations, she knew that the true challenge lay in controlling herself. For in the world of nanotechnology, the line between creator and creation was a perilously thin one, and only time would tell where it would lead.